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Hyper Global / Hyper Local, an open call from Makers’ eXchange (MAX) will invite makers to explore what it means to be both connected physically to local contexts and digitally at a global scale when travel and physical exchanges are not possible. The call addresses makers in the broadest sense of this term, including creative professionals who produce work and projects using technology and/or
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As part of the Catch “Soft Circuits” summer camp, a roundtable discussion on economic conditions of artist.
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In Elsinore, Denmark, artists, designers, technologists and creatives alike gathered for the Catch “Soft Circuits” summer camp.
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As part of its activities within the European Feral Labs Network, Makery organizes from August 16th to 24th its first summer camp on the Island of Batz in Finistère.
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At this year’s PIFcamp, Ljubljana-based artist Tilen Sepič worked side-by-side with artist Luka Frelih, also a programmer and head of Ljudmila, Art and Science Laboratory.
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As the 6th edition of PIFcamp basked in Soča, Slovenia on August 2-8, 2020, Andrew Quitmeyer gave an online workshop from his Dinalab in Gamboa, Panama to build an interactive ant farm.
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In Europe, Italy was the first country to be an epicenter of the novel coronavirus. As a result, mobilized Italian makers showed the way for makers around the world. Enrico Bassi of Opendot fablab in Milan, specialized in open healthcare, tells the story.
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The objective of Nowhere, the Burning Man of Europe, is to build camps that are totally self-sufficient in water, energy and food for one week. And to create beauty in these extreme conditions. Our chronicler joined the Bababarrio camp.
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Ahead of the 2nd Digital Naturalism Conference in Gamboa, Panama in August 2019, Makery spoke with instigator Andy Quitmeyer about the origins of Dinacon, Dinalab and the whole DiNa movement.
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Field Notes was an art&science field laboratory organised from September 15-22 by the Bioart Society at the Kilpisjärvi Biological Station in Lapland/Finland. Five groups worked for one week on questions located “above the ground”. Here are Friday's and Saturday's logs from the Second Order group.
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Field Notes was an art&science field laboratory organised from September 15-22 by the Bioart Society at the Kilpisjärvi Biological Station in Lapland/Finland. Five groups worked for one week on questions located “above the ground”. Here are Wednesday's and Thursday's logs from the Second Order group.
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Field Notes is an art&science field laboratory organised from September 15-22 by the Bioart Society at the Kilpisjärvi Biological Station in Lapland/Finland. Five groups work for one week in the sub-Arctic Lapland on questions located “above the ground”. Here first days in the logbook from the Second Order group hosted by Ewen Chardronnet from Makery.
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On July 15-28, the Comices du Faire micro-festival for makers tinkering with renewable energies and reclaimed resources was held in Nevez in western France. Makery went to visit.
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Croatian makerspace Radiona’s inaugural Electric Wonderland summer camp took place on September 1-7. Our Feral Labs chronicler in residence, Jean-Jacques Valette, folded up his bicycle and jumped on a train for this special report, between ecology and hacking, electronic music and paper shadows.
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The second edition of Dinacon concluded in Gamboa, Panama, after four very full weeks of August at the intersection of excursions into nature and experimental art-techno projects.
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International summer hacking PIFcamp is returning to the beautiful Soča village in pristine Triglav National Park for the fifth time on August 4–10, 2019. As a partner of the Feral Labs Network, Makery is reporting on location all week, beginning with days 1 and 2.
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On July 1-14, the inaugural edition of Nø School launched in the sleepy town of Nevers, France. Intrigued by Nø School’s no-frills approach, Makery took a field trip to the Burgundy region to catch Nø School on its closing days.
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Departed from France three years ago, Low-tech Lab’s dedicated catamaran is touring the world in search of frugal innovation. In Taiwan, the crew met the local maker movement and those advocating more sober, citizen uses of digital media.
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Schmiede took place on September 11-20 in Hallein, Austria, where a former salt warehouse transformed into one of Europe’s prime venues for digital arts. Our chronicler in residence reports on the Austrian avant-garde in situ.
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Makery talked with Majken Overgaard from Catch and Laura Beloff from the Copenhagen IT University, the main organizers of the summer camp for artists and curators happening between 12-16 August in Elsinore, Denmark.
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